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Becoming a music producer requires knowledge of many facets of music. Training is vital, and there are many approaches to acquiring the expertise you’ll need.
 If your goal is to be a music producer, you must have a basic love of music and be proficient in some aspect of the art.
But that’s just the beginning. As a producer, you’ll need to have knowledge of computers, songwriting, music theory, sound engineering, studio equipment, marketing, project management, music publishing, and more.
Self-taught training
I have been honored to work in some capacity over the years with some very successful producers, including: George Massenburg (Linda Ronstadt, Lyle Lovett), Steve Buckingham (Dolly Parton, Dionne Warwick), Ed Seay (Paul Davis, Pam Tillis), and Paul Worley (Dixie Chicks, Martina McBride).
I’ve only named a handful of these guys’ credits; it would take a book to list them all.
All of these gentlemen are self-taught. Most started off as musicians and worked their way up through the ranks, observing other producers, learning studio technique, and making contacts as they went.
I would venture to say that many successful producers are self-taught. I believe there is no substitute for the experience one gains over years of observation and hard work in a studio.
Training courses
That said, taking courses in music production can certainly be helpful in training for a career in the craft, especially in the digital age. There are a number of schools that now offer certificates and degrees in music production.
One can attend classes at a number of colleges, universities, and workshops. Berklee College of Music and other schools and organizations offer online courses.
I’m sure one can learn a lot from the online courses, but I suggest you attend classes or workshops where you’ll receive hands-on training in an actual studio from a production pro.
While a degree in music production would be helpful, you’ll need more than that. You might also consider courses in sound engineering, music theory, and songwriting, among others.
But, I repeat, there is no substitute for the experience one gains by spending time in a recording studio and observing others. If at all possible, hang out at a studio in your area. Offer to intern or sweep floors, whatever it takes. You’ll absorb a lot of wisdom that schools can’t teach.
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